JUSTICE LEAGUE Continues DC’s Struggle To Catch Up With Marvel

Now bombing at a multiplex near everyone:

JUSTICE LEAGUE (Dir. Zach Snyder, 2017)

The good news is that DC’s latest entry in their ongoing attempt to catch up with Marvel is a lot better than the fiasco that was BATMAN V. SUPERMAN: DAWN OF JUSTICE (it has a snappier title too), but the bad news is that it’s still far from a great, or even good movie.

Zach Snyder, with help from Joss Whedon, who handled lengthy re-shoots, teams up Ben Affleck’s Batman, Gal Gadot’s Wonder Woman, Ezra Miller’s Flash, Jason Momoa’s Aquaman, Ray Fisher’s Cyborg, and Henry Cavill’s Superman (it can’t be a spoiler since everyone knew that the character was going to resurrected after his death in BVS, right?) to save the world from the clutches of the supervillain Steppenwolf (an all CGI-ed up Ciarán Hinds), but the result is a colossally anti-climatic mess.

However, perhaps due to Whedon’s involvement, there are flashes of wit – largely from The Flash, who comes off as the Spider-Man of this gang as he’s a wise-cracking kid who has the film’s best lines (I loved his quip, “Pet Semetary!” when Superman returns from the dead and is initially evil).

JUSTICE LEAGUE falls short in many departments, but one that stood out was that it has no third act. The first act is all set-up as it follows Affleck’s Bruce Wayne as he assembles the group, having walk and talks with Gadot’s Diana Prince and Momoa’s Arthur Curry (Wonder Woman and Aquaman’s alter egos), and roping in Miller’s Barry Allen, and Fisher’s Victor Stone (The Flash and Cyborg’s alter egos) into the fold.

The second act is the big battle between the Superfriends and Steppenwolf and his army of flying creatures called Parademons. This bloated sequence goes on and on with precious little excitement before it concludes with a wrap-up that reaks of lazy afterthought.

Trailers and TV spots were smart to play up the Wonder Woman angle as that’s the only character these DC movies has had any critical success with, and Gadot does have her moments here, but she’s overshadowed by Affleck and Cavill’s charmless and unconvincing takes on their iconic roles. Affleck gets a lot of flack for his acting, but I maintain that he’s not really a horrible actor; just an uninteresting one.

And after the lame likes of MAN OF STEEL, BVS, and now this, I’m still not buying Cavill as Clark Kent/Superman. The British actor still feels miscast to me as the most famous superhero, as he never comes close to matching the power of Christopher Reeve, or even George Reeves’ corny version of the caped crusader from the old ‘50s Superman TV series (incidentally Affleck played Reeves in Allen Coulter’s 2006 drama HOLLYWOODLAND).

Of the other League members, Momoa and Fisher, as Aquaman and Cyborg (the character I know the least) didn’t make much of an impression on me, but, as I mentioned before, Miller’s Flash steals the show. Then there are the supporting turns by Amy Adams, J.K. Simmons, Diane Lane, and Jeremy Irons as Batman's tech saavy butler Alfred, which are serviceable but don't really add anything to the whole shebang.


With its 300 million dollar budget, one would expect better special effects, but the movie is marred by a lot of crummy CGI, which really dims the impact of much of the action. There have been reports that the movie is underperforming, and may not recoup its production costs, which I hope will make DC reconsider letting Snyder direct its follow-up (or any other project for the brand for that matter).

Despite some signs of improvement, Snyder appears to be unable to make a decent superhero movie (or any other movie for that matter), even with the copious assistance from Whedon here. Marvel’s business model of inter-connecting story-lines, Easter eggs, and strategically placed cameos is obviously a lot harder to copy than they thought.

WONDER WOMAN showed that it is possible to make an effective stand-alone movie, so there may be salvation for the franchise yet, but it’s a safe bet that Marvel will have racked up a bunch more crowd-pleasers by the time DC really gets their shit together, that is, if they ever do.

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C’mon People, SUICIDE SQUAD Doesn’t Completely Suck!

Now playing at a multiplex near everyone:

SUICIDE SQUAD (Dir. David Ayer, 2016)

Upon leaving the screening for this film earlier this week, I wrote on my press comment card that it was “the best DC movie yet, but that’s not saying much.”

In the days since I’ve seen many variations on that line, so much so that it appears to be the consensus – go Google “better than BATMAN V SUPERMAN” and see what I mean.

Of course there are folks like this guy whose headline declares “Suicide Squad is worse than Batman v Superman. No, we didn't think it was possible either,” but I definitely enjoyed it a lot more than that monstrosity.

It’s not a great film for sure, but there are sections of it that work – the first 20 or so minutes, the set-up so to speak, hits the mark with slick, and funny intros to the main characters.

We meet the bleached white-skinned, blue and pink tipped blonde, bright red lipsticked, crazy sexy cool Harley Quinn (Margot Robbie), the smooth, wise-cracking career hitman Deadshot (Will Smith); the fire-controlling ex-mobster El Diablo (Jay Hernandez); the reptilian cannibal Killer Croc (Adewale Akinnuoye-Agbaje) who’s the “Groot” of the group; and the Australian badass thief Boomerang (Jai Courtney), all behind bars for various crimes that we see in snazzy flashbacks.

Viola Davis plays Amanda Walker, a U.S. intelligence officer decides to assemble these dangerous supervillains (plus a late addition, Adam Beach as Slipknot) a into a black ops team for a top-secret mission that involves saving Midway City, which is basically Chicago, from the destructive forces of an ancient witch called Enchantress (Cara Delevingne).

The team is under the command of Joel Kinnaman (The Killing, House of Cards, the ROBOCOP reboot) as Col. Rick Flag, a character that dates back to the original “Suicide Squad” comics (I just read this online; I’ve never read the comic).

But I haven’t even gotten to the film’s juiciest element, Jared Leto as the Joker, whose look with his neon green hair and weird braces outraged fans when it first dropped online, but it worked well for me in the context of the movie’s aesthetics. Sadly, Leto’s Joker isn’t in much of the film, but he makes quite an impression – more so than Ben Affleck’s Batman cameo – and has electric chemistry with Robbie, whose Harley Quinn is the Joker’s girlfriend.

The movie gets messier as it goes on with the team trotting through Midway on their mission in a manner that recalls the similar scenarios of THE WARRIORS and ESCAPE FROM NEW YORK but with less of their classic gusto.

I feel like I did last summer when I bitched that the Adam Sandler movie PIXELS wasn’t as terrible as critics were saying it was (mind you, I still thought it was bad) when I write that SUICIDE SQUAD doesn’t completely suck, but I’m just being honest when I say I didn’t hate it.

Unsurprisingly, the parts that I liked were the ones that were most like Marvel, especially when it came to having more humor than their previous movies (MAN OF STEEL and BATMAN V SUPERMAN were as humorless as you can get). DC has their work cut out for them if they want to compete with Marvel’s incredibly successful business model but there are moments here that show that it may be possible someday.

David Ayer, who wrote the screenplay, is definitely a better director than Zach Snyder, but SUICIDE SQUAD is such a mismatch of different styles – sometimes it feels like the NATURAL BORN KILLERS of superhero movies – that he seems like he’s in way over his head.

I’ll still say it’s worth seeing as a matinee for Robbie, who doesn’t steal the film as much as owns it right off the bat, and Smith, who gets the lion’s share of the film’s laughs. I guess my expectations were low enough that I found some enjoyment out of this very mixed bag. If you go in like that, maybe you will too.

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